In my work I try to capture the poignant beauty and drama of weathering and corrosion – the point of balance between existence and decay. I find the vessel form the most satisfying to use and I enjoy the traditional method of wheel-throwing, which adds to the sense of capturing time. I like the simplicity and elegance of form achievable with throwing-ribs to eliminate finger ridges and I use ‘T’ material – strong, high-quality, coarse clay – that I mix with a smooth white stoneware to make it throwable. Forms are thrown slowly and meticulously to give thin-walled, yet strong, subtly rugged, finely balanced pieces. Large forms are thrown in several sections, with much refining, when leather hard, similar to a hand-built, coiled pot.